"No. I'm tired of them: I'm not tired of you. This is the way for you to feel most how much I rest on you." Fleda had a compunction, wondering as they continued to stroll whether it was right after all to leave her. She believed, however, that if the flame might for the moment burn low, it was far from dying out; an impression presently confirmed by the way Mrs. Gereth went on: "But one's fatigue is nothing. The idea under which one worked kept one up. For you I could—I can still. Nothing will have mattered if she's not there." "For what do you take me? I wasn't such a donkey."!

"I believe you will, if you look at her like that!" "About bringing home to you?"—Fleda encouraged him.

"You plunge me in stupefaction," that lady answered, "and at the same time you terrify me. Your account of Owen is inconceivable, and yet I don't know what to hold on by. He cares for you, it does appear, and yet in the same breath you inform me that nothing is more possible than that he's spending these days at Waterbath. Excuse me if I'm so dull as not to see my way in such darkness. If he's at Waterbath he doesn't care for you. If he cares for you he's not at Waterbath." Mrs. Gereth, however, was imperturbable: Fleda had to recognize that her advantage had become too real. "It's too beautiful, the way you care for him; it's music in my ears. Nothing else but such a passion could make you say such things; that's the way I should have been too, my dear. Why didn't you tell me sooner? I'd have gone right in for you; I never would have moved a candlestick. Don't stay with me if it torments you; don't, if you suffer, be where you see the old rubbish. Go up to town—go back for a little to your father's. It need be only for a little; two or three weeks will see us through. Your father will take you and be glad, if you only will make him understand what it's a question of—of your getting yourself off his hands forever. I'll make him understand, you know, if you feel shy. I'd take you up myself, I'd go with you, to spare your being bored; we'd put up at an hotel and we might amuse ourselves a bit. We haven't had much pleasure since we met, have we? But of course that wouldn't suit our book. I should be a bugaboo to Owen—I should be fatally in the way. Your chance is there—your chance is to be alone; for God's sake, use it to the right end. If you're in want of money I've a little I can give you. But I ask no questions—not a question as small as your shoe!" "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.